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  4. Red and gold lantern decoration

Red and gold lantern decoration

£7

In Stock

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Free UK delivery on orders £60 and over

This papier mâché bauble has been hand-made by artisans in Kashmir for Fair to Trade. Fair to Trade ensure products are manufactured under conditions that meet recognised employment standards, including fair wages, providing clean and safe working environments, and providing skills training and promotion prospects. The lovely berry and leaf motif is taken from a furnishing fabric designed by C.F.A. Voysey in 1898 and now held in the V&A archive.
 
© Victoria and Albert Museum, London
 
Created exclusively for the V&A.
 
Details
• Hand-made and hand-painted in Kashmir, India

Author/Artist/Designer

Fair to Trade

Dimensions

7.5cm length, 6cm diameter

Composition

Papier mâché

Product code

161891

DELIVERY
  • UK standard delivery £5
    (FREE on orders £60 and over*)
    (3 – 6 working days)
  • Europe standard delivery £20
  • Rest of the world standard delivery £30

Please note: due to unprecedented demand, orders are currently dispatched within 5 days.
We're working to return to our usual of 2 days as soon as possible. Thank you for your patience. 

RETURNS

If you are not completely satisfied with your item you may return it within 28 days for a full refund.

PREORDERS

Selected items may be purchased early for dispatch from the future date given in their product information.
Other items ordered that are available immediately will be shipped right away, separately, at no additional charge.

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About the artist
about the artist

C.F.A. Voysey

Charles Voysey was an architect, textile and furniture designer, born in Yorkshire in 1857. Regarded as one of the finest architects of the Arts and Crafts movement, he was also an accomplished furniture designer, creating purposefully simple, restrained and elegant pieces. His interest in interiors lead to success as a designer of wallpaper, fabrics, tiles, ceramics and metalwork. Voysey’s textile work shows the influence of William Morris, with similar principles regarding repeating patterns, and the use of botanical and animal imagery. His dense yet simple representations of the organic went on to influence the Modernist movement, who were inspired by his eye for purity of line, and an open and unfussy style.